Meta Angel The best music of 2022. Short videos to celebrate my favorite music of this past year. Song by @fkatwigs Album: Caprisongs #music #musicvideo #fkatwigs #caprisongs #blender #music2022 #bestof #metaangel #2022 #ebp #video

Nothing left to Lose. Best New Music. Short videos to celebrate my favorite new releases. Song by @EverythingButTheGirlOfficial (@benwattfilms and @TraceyThornVEVO ) Album: FUSE #music #musicvideo #ebtg #fuse #nothinglefttolose #blender #music2023 #bestof #blender3d #2023 #ebp #video #bbc6 #newmusic #everythingbutthegirl

The best music of 2022. Short videos to celebrate my favorite music of this past year. Song by: @Shygirl0800 Album: Nymph

Make sure to subscribe to Garbage: https://Garbage.lnk.to/YouTubeID and hit the bell to get notified of all new uploads Follow Garbage Website: https://www.garbage.com Twitter: https://Garbage.lnk.to/TwitterID Facebook: https://Garbage.lnk.to/FacebookID Instagram: https://Garbage.lnk.to/InstagramID More music from Garbage: https://Garbage.lnk.to/listenID

The best music of 2022. Short videos to celebrate my favorite music of this past year. Song by @RoyksoppMusic @pixxmusic Album: Profound Mysteries

Feels Like A Dream The best music of 2022. Short videos to celebrate my favorite music of this past year. Song by @AliceBomanOfficial and @perfumegenius Album: The Space Between #music #musicvideo #aliceboman #thespacebetween #feelslikeadream #blender #music2022 #bestof #perfumegenius #2022 #ebp #video #jellyfish #waterlife #dream

Sault - Topic @CleoSol @LittleSimz @kidsister535 @BackToMine SAULT are one of the most important bands/ensembles/groups/collective (or whatever they identify with) of this generation. The release of their latest massive and incredible work, the simultaneous 11, AIIR, Earth, Today & Tomorrow, and Untitled (God) have sparked my imagination. I put together a quick imagined representation of their music as I would imagine their live shows could be. Considering their stylistic choices so far and the anonymity format, I imagine their shows would also create a minimalistic environment to let the music speak for itself. With a sense of community, almost a religious feel of spirituality. The color palette is reduced to black and white; the imagery would concentrate on creating a sense of belonging, and identification, portraying social issues, and increasing representation of black communities. The shapes would be simple and almost church-like. I have chosen 5 songs from their immense catalog, but it could have been many others. - Guide My Steps. Untitled (God).2022 - Why Why Why Why Why Why. 5. 2019 - Little Boy. Untitled (Rise). 2020 - Wildfires. Untitled (Black Is). 2020 - God Is on Your Side. Untitled (God). 2022 They recently asked on their social media which songs we would want to hear if they were to do a live show. I guess this is an excellent start to my list. I hope you like it. EBP Design

This is a rapid project, in collaboration with Backstage Academy, Wakefield Council, and South Elmsall Market. The entire project only took a few weeks, from creation to reality. Introduction Wakefield has a rich and diverse built heritage, both in the city centre and wider district. We continue to consider how we can strengthen and grow our events, festivals and speciality markets to showcase the district and inspire local people to participate and engage safely with our town centres. In 2021 and 2022 we piloted a number of building-based light commissions at a range of locations across the Wakefield district including working with students and staff from Backstage Academy on temporary lighting schemes for churches in South Kirby and Hemsworth. For Light Up 2022 we want to work with Backstage once again with a view to creating something more impactful and immersive than in previous years. The way we went around it this time was: We are creating an immersive Light and sound experience In South Elmsall's market stalls To help tell the stories of the neighbors We will use as inspiration the project FACES OF SOUTH ELMSALL The Faces of South Elmsall is a divulgation project. Our aim is to amplify the power to communicate the stories. By adding layers of transmission. We communicate not only orally, We use images, sound, music, games, Signs, written symbols, cave paintings, Smoke signals… We want to incorporate As many as possible.

Hi. My name is Eduardo Bernal Pérez. I am a Part III Architect, and I am doing my master's degree in Live Events Design. This is how I create. All the content in the video is mine (visuals, music, spaces, lighting,...) I hope you like it.

Reupload from 2017 "New Slaves" is a song performed by Kanye West, taken from his sixth studio album Yeezus (2013). It was produced by West and Ben Bronfman, with additional production from Mike Dean, Travis Scott, Noah Goldstein, Sham Joseph, and Che Pope. The song features vocals from American recording artist Frank Ocean, whom West previously collaborated with on Watch the Throne (2011). The song discusses slavery and segregation as well as racism in general, materialism, and stereotypes of African Americans in the United States. The song, despite not having been released as a single, charted in Canada, France, the United Kingdom, and the United States. The song's conclusion features Ocean singing over a sample of "Gyöngyhajú lány" (1969) by Hungarian rock band Omega. I visualized it as a monument (kind of Tatlin's Tower) climbing and confusing pulsating lighting.

To create the plans for the BSA symposium, and gather all the information and premises of the project: - The studio 1 technical information - The symposium banner and advert - The draft with the number of seats, pipe, and drape and the idea of a circular space - The use of the dynamic projection system It only seemed natural to join the visuals of the marketing campaign and the space. Using the same concept as if it was all a continuum or like a fractal design of the water bubbles replicating in all the aspects. Shaping the floor with paint, light, projections, or even tape, we can create a fluid space that feels delimitated but is very light. All the floors and walls can be projected. The layout of the main space creates 3 corridors with a screen at the end opposite a set of chairs, this way, all the seats (that are also staggered) have a clear view of the stage and the screens.

This video was created in collaboration with the artist Rookes. I was tasked with creating a visual interpretation of the song; knowing nothing about the song's background. The result is what you see here. Consent is the energetic first single from Rookes' self-produced, grant-funded album, POPNOTPOP, which is set for a November release. Conceived at the height of London lockdown, Consent follows in verbatim the stream of revelations Rookes experienced while processing the breakdown of a relationship that had spun out of control. The result is an infectiously catchy and cathartic piece of pop-rock, that re-establishes Rookes as one of the most innovative writer-producers out there today.

Music Video made by EBP for LaSinfin Banda

1. Introduction The project's premise is to design and implement a live event to be recorded on a single take. The theme is: “#environment and #sustainability across #air, #land, and #sea”. 2. #design and #concept The first idea was to create an impactful #experience that would force the users to face some dark realities of the environment. To immerse them in our beautiful world (air, land, and sea) and gradually transform that space into an uncomfortable place, a mixture of future #projection, present, and a reality check. We want to #communicate, inform, move, and generate #awareness. We want people to face the degradation of the #planet. To do this, we want to build a #surrounding #environment, an #immersive experience that will project images of the world, at an increasing intensity (from the ideal world to the polluted reality). We will use projections on the floor and some hologauzes and #led screens as walls to close the space. This will be accompanied by a sound #landscape that will help communicate the urgency and create the appropriate mood for the trip the event wants to take the audience to. The narrative and timing of the event try to create build-up energy, that will fade into a #reflective phase. 3. The content Part 1 - Water #pollution Our rivers, reservoirs, lakes, and seas are drowning in #chemicals, waste, plastic, and other pollutants. This #installation explores that fact in a very subtle way, leaving space for the #imagination Part 2 - Air Pollution. Air pollution is the #contamination of the indoor or outdoor environment by any chemical, physical or biological agent that modifies the natural characteristics of the #atmosphere. Household combustion devices, motor vehicles, industrial facilities, and forest fires are common sources of air pollution. In this segment of the event, we aim to confront this issue in a #chaos-built surrounding sound and image that will break into a reflective time. Part 3 - Global Warming. Global #warming is the long-term heating of Earth's #climatechange system observed since the pre-industrial period (between 1850 and 1900) due to human activities, primarily fossil fuel burning, which increases heat-trapping greenhouse gas levels in Earth's atmosphere. Based on the #nasa observations of the climate variations between 1850 and the current times and mixed with the reflection of the incredible call to action of the singer-composer #ANOHNI. This piece creates a counterpoint to the other two parts of the exhibition, with a more #daring and upfront composition, that leaves less space for the #imagination and forces you to follow and be engaged.

​@SHEFFIELDTTIMES @MadeinSheffield @sheffieldcityhall3881 @PulpVEVO This is a presentation to pitch to the world a new imaginary curated festival in the city of Sheffield. From Sheffield to the world, we are aiming to create something that talks to everyone, that makes us reflect on society and humanity, we want to bring people together, to learn, to think, to self-reflect, and to do all of this with optimism. We want to transform the city of Sheffield, create a sense of community pride, generate economic growth, accentuate natural and cultural assets, and create a platform to display their values and services. Reinvigorating its urban center. But we want much more than that, we want PANGEA to be a catalyst for change, we want to make it worldwide, to spread the germen of change and we want to bring environmental, social, and cultural benefits. We want Sheffield to be the ambassador of these values, to identify with positive values of progress, and we want all of this to be a long-term global contribution. PANGEA is a supercontinent, it’s all the earth together, it’s all of us united. Sheffield is a city with huge potential to host events of this kind. The city has a large public sector workforce and services. The quality of living is good, and the size is manageable. The fact that there are two universities, the University of Sheffield, and Sheffield Hallam University, creates a great community of thinkers, it makes the city affordable and interesting. A festival of this kind can be a two-way symbiotic relationship with a city like Sheffield. The student community can bring an edge to the thinking involved in the festival, it can also be an asset to the organization, creation of spaces and workforce, and at the same time, a festival like PANGEA can be an interesting addition to the student’s life. A quick google search will prove that several major music acts, including Joe Cocker, Ace, Def Leppard, Paul Carrack, Arctic Monkeys, Bring Me the Horizon, Rolo Tomassi, and While She Sleeps, Pulp, and Moloko, hail from the city. The Indie band The Long Blondes originated from the city as part of what the NME dubbed the New Yorkshire scene. Sheffield has been home to several well-known bands and musicians, with a notably large number of synthpop and other electronic bands originating from the city. These include The Human League, Heaven 17, ABC, Thompson Twins, and the more industrially inclined Cabaret Voltaire and Clock DVA. The UK is famously proud of its musical contribution to the world, and some cities have specifically made a name out of it (Bristol and trip-hop, London and the Rolling Stones, Led Zeppelin, The Police, Coldplay or Adele, Camden, and Amy Winehouse, Brixton and Bowie, Liverpool and The Beatles, Manchester, and the dance scene). We want PANGEA to be a loudspeaker for Sheffield, to take advantage of, promote, benefit from, exploit and capitalize on the fact that all these bands and artists come from the city, and they can create identity and pride. For this first edition of the festival, we have selected a few bands from this list, understanding that it is a theoretical exercise but also creating an interesting mix of these musical contributions that portray well the wide range of musical styles generated in the city. This line-up would be reinforced by a musical contest, to find new bands that will be the openers of both days of the festival, helping the city to be the place of birth for new international bands. As the festival wants to bring new visionary ideas for the next generation to do better, the line-up will be enhanced by curated talks that we will explain better each of the stage concepts. In line with the festival premise, we want to take the crowd and the online viewers into a strange and exciting world of art, music, radical thinkers, innovation, disruption, and idealism. We will be looking to our Past, as in it we see our failures, our victories, and our defeats. It allows us to see how others coped, and how we survived, it gives us the courage and it protects us. We will move to the present, analyzing the most radical, secretive, influential movements of today, that will be propelling us to the future, we will take an optimistic tour of our future from the present, but we also want to take a philosophical twist into humanity, re-writing our importance as societies on earth and in the universe. Following this logic and intention, PANGEA will be divided into three stages: • Winter Garden – END OF THE WORLD stage • Peace Gardens – THE FUTURE IS NOW stage • City Hall – PAST IS NEVER DEAD stage The concepts of past, present, and future will be laced by THE PINK RIBBON, a continuous line representing the link between these stages, sewing them, uniting them, and serving as the light to follow. Pink is the color of friendship, harmony, affection, and this neon light will be an iconic way of moving through stages.

I do not own the music in this video, it belongs Tori Amos. This song is a track of the most celebrated Boys for Pele, released in 1996 and it still is really relevant. I pretend to capture part of the drowning atmosphere of the song, and to emphasize the places it takes me to when I listen to it. I hope you enjoy it. Thanks for watching.

1. Introduction The project's premise is to design and implement a live event to be recorded on a single take. The theme is: “#environment and #sustainability across #air, #land, and #sea”. 2. #design and #concept The first idea was to create an impactful #experience that would force the users to face some dark realities of the environment. To immerse them in our beautiful world (air, land, and sea) and gradually transform that space into an uncomfortable place, a mixture of future #projection, present, and a reality check. We want to #communicate, inform, move, and generate #awareness. We want people to face the degradation of the #planet. To do this, we want to build a #surrounding #environment, an #immersive experience that will project images of the world, at an increasing intensity (from the ideal world to the polluted reality). We will use projections on the floor and some hologauzes and #led screens as walls to close the space. This will be accompanied by a sound #landscape that will help communicate the urgency and create the appropriate mood for the trip the event wants to take the audience to. The narrative and timing of the event try to create build-up energy, that will fade into a #reflective phase. 3. The content Part 1 - Water #pollution Our rivers, reservoirs, lakes, and seas are drowning in #chemicals, waste, plastic, and other pollutants. This #installation explores that fact in a very subtle way, leaving space for the #imagination Part 2 - Air Pollution. Air pollution is the #contamination of the indoor or outdoor environment by any chemical, physical or biological agent that modifies the natural characteristics of the #atmosphere. Household combustion devices, motor vehicles, industrial facilities, and forest fires are common sources of air pollution. In this segment of the event, we aim to confront this issue in a #chaos-built surrounding sound and image that will break into a reflective time. Part 3 - Global Warming. Global #warming is the long-term heating of Earth's #climatechange system observed since the pre-industrial period (between 1850 and 1900) due to human activities, primarily fossil fuel burning, which increases heat-trapping greenhouse gas levels in Earth's atmosphere. Based on the #nasa observations of the climate variations between 1850 and the current times and mixed with the reflection of the incredible call to action of the singer-composer #ANOHNI. This piece creates a counterpoint to the other two parts of the exhibition, with a more #daring and upfront composition, that leaves less space for the #imagination and forces you to follow and be engaged.

Someone who will lead you to someone Who will lead you to someone Who will lead you to the one At the end of the century Century. How long is that? 3, 155, 973, 600 seconds 876, 000, 000 hours Or 36, 500 days Almost as long as one of those endless dark nights of the soul Those nights that never end When you believe you'll never see the sunrise again And a single second feels like a century Song: Century by @feist Visuals: @_edubp #musicvideos #music #musicvideo #video #newmusic #musicislife #musiclovers #musiclover #artist #musicartist #feist #song #jarvis #photography #century #3d #3dmodelling #3dmodel #blender #3dart #render #rendering #design #3drender #3dartist #art #digitalart #cgi #animation #3danimation

This is a homage to Lana del Rey’s Love. I do not own the music obviously. It pretends to be a quick design simulation of how I imagine this beautiful song could look like. Many things should be added to it, like light effects, but I think it already shows the potential of a great show with a simple, strong idea. Thanks for watching.

Homemade video clips. Made for fun. Yes, now I am doing #stopmotion #videos Incapable of Love Song by @roisinmurphyofficial #goingmental #whynot #stopmotion #quarantineart #stayathome #roisinmurphy #incapableoflove #picasso #botticelli #miro #kandinsky #hamilton #warhol #lichtenstein #grantwood #klimt #keithharing #basquiat #degas #mondrian #calder #frida #dali #chagall

You look so fine Song by @garbage Visuals by @_edubp _____________________________________ You look so fine I want to break your heart And give you mine You're taking me over It's so insane You've got me tethered and chained I hear your name And I'm falling over I'm not like all the other girls I can't take it like the other girls I won't share it like the other girls That you used to know You look so fine Knocked down Cried out Been down just to find out I'm through living for you I'm open wide I want to take you home We're wasting time You're the only one for me You look so fine I'm like the desert tonight Leave her behind If you want to show me I'm not like all the other girls I won't take it like the other girls I won't fake it like the other girls That you used to know You're taking me over Over and over I'm falling over Over and over Loving me one more time Hide inside me tonight Do what you want to do Just pretend happy end Let me know let it show Ending with letting go Let's pretend happy end _____________________________________ #videoediting #video #editing #hearts #videoedits #videoeditor #blender #videography #premiere #videoproduction #cgi #filmmaking #editor #lockdown #animation #motiongraphics #mirroredheart #witheveryheartbeat #youlooksofine #garbage #cinematography #fkatwigs #robyn #kleerup #edits #render #artwork #graphicdesign #animator #music

Hidden place is one of the many inspiring Björk's songs. Is taken from Vespertine. Unbelievably the song is already 16 years old... but still so fresh and beautiful. I hope you like it. Thanks.

Mirrored Heart Song by @fkatwigs Visuals by @_edubp _____________________________________ It's all for the gain It's all for the lovers trying to take the breath away It's all for the gain It's all for the lovers trying to chase the rush again It's all for the gain It's all for the lovers trying to take the breath away It's all for the gain It's all for the lovers trying to chase the rush again But I'm never gonna give up Though I'm probably gonna think about you all the time And for the lovers who found a mirrored heart They just remind me I'm without you Did you want me all? No, not for life Did you truly see me? No, not this time Were you ever sure? No no no, not with me That's why its all for the gain It's all for the lovers trying to pache the pain away Its all for the gain It's all for the lovers trying to fuck away the pain But I'm never gonna give up Though I'm probably gonna think about you all the time And for the lovers who found a mirrored heart They just remind me I'm without you Did you want me all? No, not for life Did you truly see me? No, not this time Were you ever sure? No no no, not with me Did you want me all? No, not for life Did you truly see me? No, not this time Were you ever sure? No no no, not with me ooh oh oh But I'm never gonna give up Though I'm probably gonna think about you all the time And for the lovers who found a mirrored heart They just remind me I'm without you They just remind me I'm without you They just remind me I'm without you _____________________________________ #videoediting #video #editing #hearts #videoedits #videoeditor #blender #videography #premiere #videoproduction #cgi #filmmaking #editor #lockdown #animation #motiongraphics #mirroredheart #witheveryheartbeat #youlooksofine #garbage #cinematography #fkatwigs #robyn #kleerup #edits #render #artwork #graphicdesign #animator #music

Dissolve girl Song by @massiveattack Visuals by @_edubp #Shame, such a shame I think I kind of #lost myself #again Day, yesterday Really should be #leaving but I stay Say, say my name I need a little #love to ease the #pain I need a little love to ease the pain It's easy to remember when it came 'Cause it feels like I've been I've been here #before You are #not my #savior But I still don't go Feels like something That I've done before I could #fake it But I still want more Fade, made the fade Passion's #overrated anyway Say, say my name I need a little love to ease the pain I need a little love to ease the pain It's easy to remember when it came 'Cause it feels like I've been I've been here before You are not my savior But I still don't go, oh I feel like something That I've done before I could fake it But I still want more, oh